Joanna Newsom The Ys Street Band E.p. Rar

Potentially classic?But she has to get more musically interesting yet for me.The album frequently loses my attention about half-way through, yet I don't think the songcraft dips badly at all. It's not in the sequencing either, and there is plenty of variety (the bluesy 'This Side of.'

The trad-folky 'Swansea' etc). Nevertheless there's something a little limited about her palette (tempo?) that doesn't grab me like it could at this point.What I've heard of her newer material seems to be spinning towards lengthier lyrical epics, possibly exploring/reining in her voice a bit too. I really dislike judging things from bootleg live recordings so I'm not going to speculate whether this is yet an improvement.Give her time I say. I think her humour is underrated at this point, and her personality & grit still latent under the image (or schtick if you're cynical) and the novelty.

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Classic, classic, classic. I can't blame anybody for not liking her - she makes some pretty adversarial stylistic decisions, but I can't think of any living artist who comes near her lyrically, and she consistently meets the musical challenges she presents herself with.The B. Dylan comparisons are valid, the James Joyce ones are overreaching, but I can see why someone would make them. If you're a Lit nerd, you're on her like white on rice.Here's a YSI of the new song she's been performing.

Originally it was two songs, Only Skin and Be A Woman, she eventually melded the two and added some new parts. Sound is a bit distant initially but improves greatly at the 7 minute mark.It clocks in at 15 minutes, and I'll take this occasion to dispel the hippie tag everybody's throwing around. This is not some indulgent & stoned free-flow jam - it's a highly structured and crafted piece of work.

Dismissing Joanna Newsom's work as 'stupid hippie crap' is akin to doing the same to John Fahey's or Neil Young's. Don't let the dress / demeanor of someone blind you to what they have to say, which in this case is a lot. Xpost - yeah exactly. I think with male artists some folks are more likely to pick out what they think is a flaw but consider their other contributions separately.as opposed to feeling the one disliked thing colors everything else they're doing and they are now 'untalented'. I know folks may have multiple issues with her and issues that are not voice-related (i do).but labelling her as completely not talented seems sorta ridiculous to me. Something about that word 'talent'.well I do feel like its used more with women. Maybe b/c otherwise you're talking about skill??? Star trek fleet command cheats.

This thread demonstrates the limitations of the ILM c/d binary. I don't think she's a dud at all, but she hasn't really been around long enough for any kind of Classic status. I like many of the songs on Milk-Eyed Mender but I've heard less from Ys (only 'Cosmia' I think, which is great) and another couple of songs here and there, including this new one linked to, which is also very good.

I don't think she's really going for the twee hippie faerie thing at all, more a kind of odd slant on the periphery of folk (and orchestral folk on the last album, from what I gather), and she does do interesting rhythmic things (not just melodic) with her harp sometimes. It's not background music; you have to give it your attention. The voice can be grating, but so can Dylan's. 'At the regal Riverbend Centre on Saturday night, Joanna Newsom proved why she’s one of today’s most iconoclastic and oddly appealing musicians: not only did she mesh shockingly well with the ultra-classy Austin Symphony Orchestra, but she also managed to get in trouble for hauling a bottle of Maker’s Mark onto stage. And it’s in this almost-accidental appeal to both sides of the concert-going spectrum—as well as an almost embarrassing wealth of talent—that she has become a powerful force in sub-pop music.' There is film on the internet somewhere of her telling a dick joke, brought to you by some magazine that photographed her wearing couturei find myself really hoping she has a seriously long-tailed career: the cd-rs and milk-eyed mender are fantastic finding-a-voice stuff; i've never been able to get an angle on ys because i miss the sheer enthusiasm to be writing and singing conveyed in the first album.

Or the joy in just doing it for it's own sake.' I can't help but feel like it was a big fuck you when she started singing more normally to all the people who had defended how she sang on the first album as natural instead of contrived. I'll let you know when I have worked through this with my therapist.― ❉❉❉❉❉❉❉❉Plaxico❉❉❉❉❉❉❉❉❉ (I know, right?)I think the reality is that when she was first starting out, she hadn't really sung before and wasn't too great at it. Some people found it 'endearing', others 'contrived'.But she's obviously a perfectionist who works hard at all the things she does. I'm guessing that she's either taken some vocal lessons or just worked at it a lot since the first album.

She's gotten to be quite good and will probably continue to improve.Seeing her live on the Ys tour, the thing that amazed me the most was how good and well-controlled her voice sounded. Whimsy is just the right word for the video’s star, the adored singer/songwriter and harpist Joanna Newsom. Newsom, harp in tow, performed a cover of Sandy Denny’s folksy, 1971 sea shanty “The North Star Grassman and the Ravens.” “Aesthetically, her songs are really inspiring to me—they’re really bold strokes that feel sort of theatrical and they’re interested in story,” Newsom said of Denny’s melancholy track and creative collaboration it inspired. “The fashion and design that I’m interested in also has to do with story, very strong statements that have some sort of narrative to them, that they aren’t just interested in the now.”. Not too sure how many Joanna fans will actually buy this, but nice to know it'll be out there.Hard Skin, the most popular oi! Punk band around, send a strong message to their massive fanbase of women by doing a collaboration record with a lot of very famous females who are huge fans of the band as people as well as as a band.

They have redone their whole new classic album On The Balls but have let the ladies take over the main vocals! What could have turned out to be really funny is actually absolutely brilliant and another classic!

Yes, the Springsteen-nodding title of Joanna Newsom & the Ys Street Band is witty, but it's fitting, too: Newsom's Ys touring band backs her on this EP, and these three songs have a much more live feel than Van Dyke Parks, Jim O'Rourke, and crew gave that magnificent album in the studio. With a song from Ys, a song from The Milk-Eyed Mender, and a previously unreleased track, Joanna Newsom & the Ys Street Band plays like the past, present, and future of Newsom's music, all given an earthier, less precious feel that still displays how artful her music is. The EP kicks off with 'Colleen,' a prickly, feral-sounding new song that, with this arrangement anyway, feels brighter and more immediate than Ys' songs, albeit nearly as densely packed with words, melodies, and ideas. 'Clam, Crab, Cockle, Cowrie' channels the sunny, avant-Appalachian feel of The Milk-Eyed Mender effortlessly; and in the EP's context, its relatively simple sweetness acts as a palate cleanser between the heavier fare of the more complex songs surrounding it. Joanna Newsom & the Ys Street Band closes with an epic, 13-minute-long version of Ys' final track, 'Cosmia'; opening with banjo, clarinets, harp, theremin, and accordion and closing with a string coda that keeps going and going, the song's will o' the wisp moods and movements are just as spellbinding here as they are on Ys, but more intimate and tangible. A beautiful miniature of Newsom's work, Joanna Newsom & the Ys Street Band is a tour souvenir that all her fans can enjoy.