Yo La Tengo Fade Rar

Upside-Down: 2. (The) Farmer's Daughter (Beach Boys cover) 3. Out Of Control (Channel 3) 4. Upside-Down (One More Time) (The remix of Upside-Down has Georgia singing the bridge, some new guitar parts, and a sample from 'Ballroom Blitz.' Aug 06, 2013  50+ videos Play all Mix - Yo La Tengo - 'Is That Enough' OFFICIAL VIDEO YouTube Yo La Tengo - 'I'll Be Around' video - Duration: 4:49. Matador Records 979,049 views.

Yo La Tengo – There’s A Riot Going On (2018)FLAC (tracks) 24 bit/96 kHz Time – 01:03:23 minutes 1,2 GB Genre: Indie RockStudio Masters, Official Digital Download – Source: 7Digital Front Cover © Matador“There’s a Riot Going On” is the fifteenth full-length album by the American Indie-Rock band Yo La Tengo. While there’s a riot going on, Yo La Tengo will remind you what it’s like to dream. The sound burbles and washes and flows and billows. If records were dedicated to the cardinal elements, this one would be water. There are shimmery hazes, spectral rumbles, a flash of backward masking, ghostly flamingos calling “shoo-bop shoo-bop.” Even if your mind is not unclouded – shaken, misdirected, out of words and out of time – you can still float, ride the waves of an ocean deeper than your worries and above the sound. For Yo La Tengo this is a slow-motion action painting and Georgia Hubley, Ira Kaplan and James McNew did it all themselves, in their rehearsal studio, with no outside engineer (John McEntire later did the mix). They did not rehearse or jam together beforehand; they turned on the recorder and let things coalesce.

Songs came together over long stretches, sometimes as much as a year going by between parts. You’d never guess this, since the layers are finessed with such a liquid brush. You’d imagine most of the songs had sprung forth whole, since they will enter your head that way. Within two listens you will be powerless to resist the magnetic draw of ‘Shades of Blue’, will involuntarily hear ‘She May, She Might’ on your internal jukebox first thing in the morning and ‘Let’s Do It Wrong’ late at night.

While there’s a riot going on you will feel capable of bobbing through like a cork.It’s a cotton revolution for Yo La Tengo. After Stuff Like That There (2015), in which they smoothly revisited tracks of their own or from others, this fifteenth album feels much more sedated. Led since 1986 by the couple Ira Kaplan and Georgia Hubley, the band are reunited here in a trio with bassist James McNew, and goes into a quiet and peaceful hibernation. The boiled down instrumentation navigates here and there on Shoegazian vapours ( What Chance Have I Got, Dream Dream Away), towards tender folk strings ( She May, She Might) and bossa backwashes ( Esportes Casual), even sleeping under the Tropics ( Polynesia #1).

Maracas, warm and slow percussions, low and soft voices, bass in slow motion, and whispering guitars draw up a meditative opus, closer to Alice Coltrane than the mad and poisonous funk of Sly & The Family Stone’s There’s A Riot Going On (1971). – Charlotte SaintoinThe chorus that Georgia Hubley sings softly on the second track of New Jersey’s 15th studio album serves almost as a mission statement for the trio: “Whenever I see you, there are shades of blue.” Yo La Tengo are, as so often, blue: but theirs is not the midnight blue of despair, but the pale blue of melancholy, and sometimes the sharp, unending blue of a cloudless sky. The song exemplifies the group in other ways: its jaunty rhythm is taken straight from 60s beat pop, befitting their record collector reputation, but recast into something somnambulant and soothing all their own. There are flickers of the old fire on There’s a Riot Going on (which bears no similarity to Sly and the Family Stone, to the surprise of precisely no one).

On For You Too, James McNew’s bass puts all four to the floor, with the fuzz pedal turned on, but Ira Kaplan refuses to rise to the bait, picking arpeggios around the basslines instead of wigging out, murmuring his vocal – but for the most part Yo La Tengo are gently blowing on embers rather than poking the logs. After the relative brevity of 2013’s Fade, There’s a Riot Going on heads back beyond the hour-mark, which does mean some longueurs: the jazzy, percussion-led Above the Sound meanders around for nearly six minutes unsuccessfully trying to locate a point.

. Condo FucksWebsiteMembersPast membersMike LewisStephan WichnewskiYo La Tengo (often abbreviated as YLT, for 'I've Got It') is an American band formed in in 1984. Since 1992 the lineup has consisted of (guitars, piano, vocals), (drums, piano, vocals), and (bass, vocals). In 2015, original guitarist rejoined the band and appears on their fourteenth album,.Despite achieving limited mainstream success, Yo La Tengo has been called 'the quintessential critics' band' and maintains a strong cult following. Though it mostly plays original material, the band performs a wide repertoire of both in live performance and on record. Ira Kaplan of Yo La Tengo playing in, New York City, July 4, 2005Yo La Tengo collaborated with on the 2003 charity album: Songs from and Inspired by in support of the. The band put together their first 'best of' compilation entitled which was released in 2005.

They composed scores for four more films, 2005's and, and 2006's. Their scores for these four films were collected on the 2008 compilation.Their eleventh LP, was released in 2006 to universal acclaim. Informed by their soundtrack work, the arrangements included more strings and horns than any of the band's previous albums.

Kaplan told an interviewer: 'I think we gained an element of comfort with using that kind of instrumentation, and it became something we could draw on for our other songs.' In addition, the album was book-ended with two guitar jams lasting over ten minutes each.In 2006, the band released, a compilation of their live impromptu cover-song performances on the New Jersey freeform radio station,. As part of the station's annual fundraising marathon, listeners who call in to pledge money to the station may request a favorite which the band will then perform on the spot. In late 2007, the band began performing acoustically for 'The Freewheelin' Yo La Tengo' tour. Audiences were encouraged to request songs and ask questions which, Kaplan stated, the band tried to answer 'in a strategic manner so that the answers to the questions will lead to the next song.' In March 2008, Yo La Tengo performed under the alias 'Condo Fucks' at Brooklyn's Magnetic Field. As Condo Fucks, the band released an album of cover songs, on Matador in March 2009., the band's 12th album, was released on September 8, 2009.

The album was recorded in the band's rehearsal space in New Jersey and features two songs with elaborate string sections (composed by jazz composer Richard Evans). It entered the chart at No. 58, the highest entry of the band's career thus far.In 2009, Yo La Tengo contributed to, a tribute album for New Zealand rock and roll musician who suffered a stroke in June 2009. Yo La Tengo covered Knox's song 'Coloured'. All proceeds from the album go towards Knox's recovery.

Also in 2009, Yo La Tengo contributed a cover of the song 'Gentle Hour' to the AIDS benefit album, produced by the.Preceding their album Popular Songs, Yo La Tengo released an EP entitled Here to Fall Remixes in the summer of 2010. Remixes of their single Here to Fall were done by,. This was Yo La Tengo's third out-of-the-box remix EP in 14 years, following the Autumn Sweater and Danelectro Remix EPs.In 2012 Yo La Tengo recorded a cover of Todd Rundgren's ' for a fund raising cd titled 'Super Hits Of The Seventies' for radio station. In August 2012, they announced the release of an EP in September 2012 to be followed by a full-length album in January 2013. The EP includes three versions of the song 'Stupid Things': the single version, a remix by, and the original 12-minute instrumental version.The following album, was released on January 15, 2013.In 2014 they toured and performed live onstage as film maker live narrated an evolving version of his new film The Love Song of R. Pan, Arnold (January 16, 2013).

Retrieved 17 August 2016. It was after that fork in the road that Yo La Tengo took on the noise pop identity that has been its profile ever since. Green, Matthew (November 5, 2015). Retrieved June 6, 2016. The Hoboken, N.J., band has produced a stream of genuinely independent, experimental rock in the spirit of the Velvet Underground: a cerebral, genre-defining mix of dreamscapes that consistently shift from gently melodic to gleefully dissonant.

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